IC3PEAK | 170 RUSSELL
It warms me that even though the world outside, surrounding us and impeding on all my peers, in a tiny basement room like this, some strings and softly spoken words can be a respite. It’s safe to say that “Coming Home” has been on repeat in my earphones ever since that night.
Royel Otis | Margaret Court Arena
Royel Maddell and Otis Pavlovic, who make up the duo, are joined on stage by drummer Tim Commandeur, whose stage presence is incredible, expressive, energetic, and constantly engaging the crowd. Keyboardist Tim Ayre fills out the four-piece lineup, which boldly performs without a bassist.
Bullet For My Valentine | John Cain Arena
Walking out of John Cain Arena, it really hit me how special the night was. The Poison shaped an entire generation of heavy music fans, and hearing it played in full twenty years later felt like a celebration of everything Bullet For My Valentine have built.
Imminence | The Forum
What sets Imminence apart is that they’re not just a Metalcore band with a violin thrown in. The violin is the heart of their sound, the storm at the centre of the chaos.
Eddie Current Supression Ring | Fed Square
A gig that felt like a definitive re-debut for a classic Melbourne band who have been sorely missed, and appear to have lost nothing of what brought them their former glory.
Wunderhorse | The Forum
For a crowd of mostly 20-somethings who had been waiting almost a year, Wunderhorse rewarded every ounce of anticipation. They capture both the loneliness and the hope of youth, and make you feel less alone in the process.
The Wombats | Festival Hall
Tight, confident and consistently hilarious, The Wombats once again proved why they remain one of indie-pop’s most beloved live acts: masters of turning music, comedy and chaos into an unforgettable night.
I Prevail “Violent Nature” Album Review
Violent Nature feels like the first step into a new era of I Prevail. With Eric now taking the sole spotlight as lead vocalist, the band explore uncharted territory that could define how they move forward.
Mayday Parade | The Hordern Pavilion
Live Review of Mayday Parade @ The Hordern Pavilion. With Support from Jack’s Mannequin and The Home Team.
letlive. | Max Watts
Live Review of letlive. @ Max Watts. With Support from Stepson.
The Cat Empire | Northcote Theatre
Live Review of The Cat Empire @ Northcote Theatre. With support from Little Quirks.
Slowly Slowly | Pier Bandroom
Live Review of Slowly Slowly @ Pier Bandroom Frankston. With support from Teenage Joans and Bukowski.
Sabaton | Margaret Court Arena
Sabaton + Amaranthe Live @ Margaret Court Arena Live Review
Paleface Swiss | Northcote Theatre
Live Review of Paleface Swiss’ Debut Australian Headline Tour @ Northcote Theatre. With support from Nasty and LUNE.
Northlane | Chelsea Heights Hotel
Live Review of Northlanes “All Over Australia” Tour @ Chelsea Heights Hotel. With support from Ocean Grove, Mirrors, and LUNE.
Stray From The Path’s Final Australian Tour | 170 Russell
Live Review of Stray From The Path’s final Australian tour @ 170 Russell for their last ever Melbourne show. With support from Orthodox and Diamond Construct.
BABYMETAL “METAL FORTH” Album Review
METAL FORTH is BABYMETAL’s way of pushing metal forward while showcasing the many forms it can take today. The collaborations are the album’s heartbeat, each drawn from bands they’ve toured with over the years. It’s wholesome to see those connections blossom from tour friendships into fully formed tracks, becoming the driving force behind one of BABYMETAL’s most ambitious records yet.
Microwave + Free Throw | The Corner Hotel
Live Review of Microwave and Free Throw @ The Corner Hotel Richmond. With support from Garage Sale and Bukowski.
Rise Against “Ricochet” Album Review
Rise Against’s Ricochet has perhaps arrived at the most crucial time. For over a quarter century the Chicago punk quartet have remained a rebellious stronghold in pop culture, and with nine studio albums to their name, it seems they’re on track to keep it up.
Fit For A King “Lonely God” Album Review
Lonely God closes with more than volume — it leaves a mark. Fit For A King sound more focused and unflinching than ever before, pushing each track with intent rather than repetition.